An article in the magazine entitled "Folk Art" provides a brief history of this pretty little form of art:
Initially, silhouettes were created to capture the likeness of a person in his or her basic form -- the "shadow" or "shade." to use the common language of the eighteenth century. Then, as now, the desire for a picture of a friend or loved one was important. With the invention of photography nearly three-quarters of a century away, silhouettes were the quickest, most economically feasible way of obtaining credible images.
[DiCicco, Vincent. "Silhouette—Portraiture In America: A Fully Developed Form Of Folk Expression." Folk Art 26.3 (2001): 40-46. Art Full Text (H.W. Wilson). Web. 8 Feb. 2015.]
Professionals and amateurs created silhouettes at the form's historical inception. By the nineteenth century, according to the Victoria and Albert Museum, silhouettes were one of the popular forms of small portraiture employed by the professional artist, marking a resurgence in the previous century's unique art form as artists realized this was a quick way to make some money.:
To the left are the silhouettes I recently found at a local antique shop for a very reasonable price. Dated 1856 in pencil, the images are also marked as having been cut in the 1970s. They represent a "collaboration" or sorts on the final art form. According to the Norman Rockwell Museum, silhouettes became an illustrative form in the mid-nineteenth century and were an "important technique to the illustrator's artistic expression," accompanying stories in periodicals and the like. My silhouettes are likely among those used to enliven a story, later cut out of an antique magazine such as Ladies Home Journal, by a crafty housewife. In fact, when I was a child in the 70s, we completed our own silhouettes in class as a regular activity. My silhouettes and my classroom memory informally indicate to me that the 70s were indeed another resurgent time for this art form.
Both amateurs and professionals still create silhouettes today. A few artists local to me whose work I enjoy are:
Jean and Marcella Comerford
Joy Ann MacConnell
Thanks to the Internet, we seem to be in the midst of another re-emergence of this style. DIYers offer instructions for creating your own silhouettes. In a decidedly modern twist, many suggest using profile selfies as a place to begin, recommending that DIY artists trace the images for their patterns.
Silhouettes are fun to do and fun to find. They offer us a look at who we are and what we value. These featureless figures show us our community traits - proud men, loving mothers, poised children - all done in beautiful lines expressing form over face. (Personally, I find myself especially attracted to the Victorian shapes here, giving me ideas for my next Steampunk festival costume and allowing me to see myself in their shoes.)